Constructed from solid wood, the chair is an exploration of craft, material memory, and cultural translation. Its upholstered back references the historic embroidery traditions of Uzbek suzanis, reinterpreting their motifs as an abstract landscape woven into the surface of the piece.
The interior is lined in leather and shaped to support the body, while a framed panel of alpaca wool brings depth, softness, and tactile contrast. Through the juxtaposition of timber, leather, and textile, the chair becomes more than a functional object—it serves as a quiet reflection on tradition, comfort, and the enduring value of handmade work.
